Album Leaf/The
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The Album Leaf officially began in 1998 as the solo project of Jimmy LaValle, guitarist for San Diego, California-based post-rock band Tristeza. LaValle has also performed in several other San Diego-area bands, including Swing Kids, The Locust, and GoGoGo Airheart.
An Orchestrated Rise to Fall
Jimmy LaValle had been playing guitar in the post-rock instrumental band Tristeza. Being a multi-instrumentalist, during downtime in the fall of 1998, he began playing drums for San Diego band GoGoGo Airheart. The singer and guitarist for the group, Mike Vermillion (which later inspired the song name "Vermillion" on One Day I'll Be on Time) recorded LaValle doing improvised material playing to a vintage roland drum machine on a Rhodes Piano that would become his first full-length album, the 10-track An Orchestrated Rise to Fall. Benjamin White of GoGoGo Airheart and Vermillion both supplied added improvisation with synthesizers and vocals to these recordings.
Before Tristeza released Spine and Sensory on Makoto records in 1998, the band was talking with a handful of different Indie record labels. One of the record labels was "The Music Fellowship" out of Salt Lake City, Utah. LaValle asked them if they would be interested in releasing his solo material. They accepted, and An Orchestrated Rise to Fall saw release in 1999 on CD. Later in the year, Tristeza and The Album Leaf both signed with newly started Tigerstyle Records out of New York City. A&R rep for the Tigerstyle, Mike Treff, had previously done his own record label named Linkwork Records. Tigerstyle wanted to release the vinyl version of An Orchestrated Rise to Fall, since it would be one of the first Tigerstyle releases, and being only on Vinyl format, Mike opted to make it Linkwork Records last release.
LaValle played his first official Album Leaf show at the Che Cafe in the winter of 1999. Band members for this show consisted of Rafter Roberts, Jimmy Lehner (of Tristeza), Leilani Clark (of local San Diego band, "the Straight A's" also with LaValle), and Benjamin White (of GoGoGo Airheart).
One Day I'll Be on Time
Soon after signing with Tigerstyle Records, LaValle received his first recording advance. He used this money to buy his first computer, and purchase equipment for a home recording studio. He did his first recordings and those songs were released as a 4 song EP entitled In An Off White Room on Troubleman Records Unlimited. The title for the EP was named after the color of his home studio, which was in his living room. During off time of Tristeza's busy tour schedule the goal was to prmote their Tigerstyle records release of Dream Signals in Full Circles in 2000, he began writing "One Day I'll Be on Time".
The Album Leaf performed their second show during Tristeza's 2000 spring tour, at South by Southwest in Austin,Texas. This show was at Club Deville, at a day party for an online distributer, Insound.com. This line-up consisted of Lavalle, Leilani Clark on guitar and keyboards, Tana Helean on keyboards, Susanna Waiche on bass and Jay Hough (of GoGoGoAirheart) on Drums. They shared the stage with Tristeza and The American Analog Set. This lineup also did a 4 week U.S. tour in the summer of 2000 with Andy Robillard (also of GoGoGo Airheart) replacing Hough on Drums.
After the summer tour, he took a full time job in San Diego at newly started music house, "Singing Serpent" producing jingles for television commercials. This also gave him access to a full service recording studio. LaValle used this studio to re-record the material he had written for One Day I'll be On Time. Rafter Roberts recorded the track "Storyboard" and can be heard in the beginning of the song talking with LaValle about his guitar tone. Jason Soares of San Diego band Aspects of Physics provided drum programming for the song "Vermillion", and fellow Tristeza band-mate, Christopher Sprague, played guitar on "In Between Lines" and designed the album art. After completing this record, LaValle left Singing Serpent citing "Making jingles was killing my creativity!"
One Day I'll Be on Time saw worldwide release in early 2001. Jón Þór Birgisson of Icelandic band, Sigur Rós, picked up the record at a record store in Reykjavík, Iceland. This prompted them to ask LaValle to support their upcoming U.S. tour. This would put The Album Leaf in front of new audiences, which helped the band gain popularity. The Album Leaf supported Sigur Rós on their first full US tour. This line-up consisted of LaValle, Luis Hermosillo (of Tristeza) on bass, Nathan Delffs on keyboards and guitar, Eric Hinjosa on keyboards and Andy Robillard still on drums. This line-up also toured the U.S. during December of 2001 and Summer 2002 without Hinojosa.
During this time LaValle wrote 2 songs for Conor Oberst of Bright Eyes to sing on and 2 songs for Marc Bianchi of Her Space Holiday beginning a series of 7" singles entitled the "Collaboration Series" released by Better Looking Records. This series is limited to 1000 copies and is only available to subscribers. The tracks with Oberst were titled "Hungry for a Holiday" and "Bad Blood". The tracks with Bianchi were titled "Call in Blue' and "Reso" (after future violinist, Matt Resovich). The Her Space Holiday collaboration would not be released until 2003.
In January of 2003, The Album Leaf toured Japan for the second time. The first time was an opening slot for LaValle's band, Tristeza, in spring of 2002 where he performed with fellow band members Luis Hermosillo and Eric Hinojosa. This was a headlining tour with fellow San Diego band, Ilya supporting. LaValle enlisted Duane Pitre, Matthew Baker and Hank Morton of Ilya to back him along with Robillard on drums.
Immediately following this tour, LaValle was offered to support Sigur Rós' European tour. This tour he performed solo and started incorporating electronic beats and loop pedals into his live show in order to perform his songs as a one man band. Later during this tour, Kjartan Sveinsson, Orri Páll Dýrason and María Huld Markan of Sigur Rós and Amiina respectively, began to join LaValle on stage performing on a couple of songs during his half-hour performance slot.
Upon returning home, he had put together another line-up for supporting the U.S. portion of Sigur Rós' tour. This line-up was Hermosillo, Delffs with Tim Reece now on drums. Kjartan Sveinsson, Orri Páll Dýrason and María Huld Markan would still join them on stage. This tour saw the Album Leaf playing at music venues such as Radio City Music Hall in New York City, gaining even more popularity for the band.
After these tours, LaValle decided to leave Tristeza and focus on the Album Leaf full time.
A Lifetime or More and the Seal Beach EP
During the following months of 2003, LaValle began recording again. He recorded 3 tracks for a split EP with New York City's, On! Air! Library! for the Arena Rock Recording Co. called A Lifetime or More. Drew Andrews provided guitar for the track "Another Day". During May of 2003, with his new addition of electronic beats, he recorded 5 songs released as the "Seal Beach EP" for Spanish record label Acuarela Discos.
In August of 2003, The Album Leaf headlined a tour of the U.S. with fellow San Diego band, Ilya. This tour introduced the Album Leaf's use of live visual projection art by Andrew Pates and the line-up went down to just LaValle and Drew Andrews on keyboards and guitar with them incorporating laptops and Pates projecting visuals onto a backdrop of the stage. The line-up was becoming more permanent.
Following this tour, LaValle traveled to Iceland to begin recording his third full length. During the Sigur Rós European and U.S. tours. LaValle received an invite from Sigur Rós to record in their Icelandic studio. During these recording sessions the Album Leaf performed 2 shows in Iceland, one being a part of the Iceland Airwaves music festival with LaValle being backed by Kjartan Sveinsson, Orri Páll Dýrason and María Huld Markan of Sigur Rós and Amiina with Sindri Mar Finnbogason playing bass.
In December of 2003, The Album Leaf opened for The American Analog Set on their U.S. tour. This line-up consisted of Matt Resovich on violin, Andrew Kinney (of The American Analog Set) and Sean Ripple (of The American Analog Set) with Pates doing live projections.
In a Safe Place
In January of 2004, LaValle signed with Seattle based record label, Sub Pop Records and Berlin, Germany based European label City Slang Records. LaValle completed In a Safe Place in February of 2004. Jón Þór Birgisson, Kjartan Sveinsson, and Orri Páll Dýrason (most of the members of Sigur Rós), María Huld Markan (of Amiina), Gyða Valtýsdóttir (formally of múm) , Pall Jenkins and Matt Resovich (of the Blackheart Procession) all contributed to the record with Brigir Jon Birgisson, “Biggi,” engineering at Sigur Rós’ Sundlaugin studio.
In a Safe Place was released on June 22, 2004. The Album Leaf played a record release show at M-Theory Records in San Diego with its current line-up of Matt Resovich on violin, keyboards, glockenspiel, guitar, and vocals, Drew Andrews on guitar, keyboards, and vocals, Tim Reece on drums and keyboards with Andrew Pates projecting live visuals. Following the release, the Album Leaf toured for a year with little time off performing in the U.S., Europe, Taiwan, and Japan. During this time, the Album Leaf self released the Red Tour EP with 5 tracks. This was to showcase the band as individuals and each member (With the exception of Reece) providing their own song, the cd is also enhanced with a tour video made by Andrew Pates. The EP also featured a live recording of "Micro Melodies" a song that only appeared on the soundtrack for the film Moog, a documentary about Robert Moog, the inventor of the Moog synthesizer. The track "Over the Pond" is also used in the film The Family Friend (L'Amico di Famiglia) by Paolo Sorrentino.
This record saw more commercial success and popularity establishing LaValle's The Album Leaf on the map and playing to bigger audiences.. Many of the tracks from In a Safe Place were used in the soundtracks for television shows such as The OC and CSI: Miami.
Following the extensive touring, LaValle re-joined Tristeza filling in on guitar for 2 shows in Guadalajara and Mexico City in place of Alison Ables, the replacement to the band for himself. When he returned, LaValle began writing his next full length.
In December of 2005, LaValle traveled to Seattle, Washington to Bearcreek Recording Studio to begin tracking the record. After tracking, he then traveled back to Sigur Rós’ Sundlaugin studio to mix the record with the help of Brigir Jon Birgisson and Joshua Eustis (of Telefon Tel Aviv).
Into the Blue Again
On September 12, 2006, Into the Blue Again was released on Sub Pop Records in North America. The album saw an earlier release in Germany on September 8, 2006 and throughout the rest of Europe on September 11, 2006 courtesy of City Slang Records.
Into the Blue Again sees a return to The Album Leaf’s conception and LaValle handling virtually all instrumental duties. LaValle’s few collaborators on Into the Blue Again are Josh Eutis of Telefon Tel Aviv, who aided additional drum programming and engineering on choice songs, The Black Heart Procession’s Pall Jenkins adding vocal harmonies on "Wherever I Go," violinist Matt Resovich (who performs with The Album Leaf live, and also played on In a Safe Place), Drew Andrews adding additional guitar work on select songs (Drew also performs with The Album Leaf live).
The Album Leaf has toured extensively through the United States, Europe, Japan, Mexico and Taiwan.
Live Band Members
- Jimmy LaValle - Producer, Engineer, Mixing, Instrumentation
- Matthew Resovich - Violin, Guitar, Synths, Glockenspiel
Discography
- Into the Blue Again (2006)
- In a Safe Place (2004)
- One Day I'll Be on Time (2001)
- An Orchestrated Rise to Fall (1999)
Upcoming Events
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Abi Tapia & Vicky Emerson
Description: Anderson Fair presents Abi Tapia and Vicky Emerson. After each energized performance, Abi Tapia (pictured) always hears the same question: "What does your guitar strap say?" The answer is a word that describes not only her music, but also a big part of her personality: "Wanderlusty." Abi Tapia happily calls Austin home, but to say she's simply a Texas songwriter wouldn't give the whole story. The daughter of musicians, Abi was born in Alabama and lived until she was fifteen in various towns around the Southeast and Texas. She has since lived in the Midwest (where she was a Sociology major at Grinnell College) and New England (where she began her professional music career). Characteristics of all of these regions inspire Abi's songwriting: The inviting warmth of the South, the expansiveness of the Midwestern Plains, and the pluck and determination of a New England Yankee are all mixed up with a nomadic restlessness. While living in Maine, Abi found herself attracted to the sweet twang and straightforward approach of Country music. This sound drew her to Austin in 2002 where she quickly rooted herself in the city's thriving live music scene. With its blend of country sincerity, cosmopolitan irony and plethora of skilled pickers, this openhearted music community is the perfect setting for Abi's work. Here she writes lyrics that are at times simple and sincere, but can turn sassy in a flash, while her melodies seem pre-destined to be surrounded by licks on mandolin and Dobro. As host of the Cactus Café's Monday Open Mic night, Abi sits on the front lines of the emerging songwriter scene, welcoming new musicians to town every week, hoping they find Austin as hospitable as she has. But don't assume she's settled down. Perhaps because she's lived in so many places, Abi has never been daunted and is, in fact, inspired by the enormous undertaking involved in heading out solo for a cross-country tour. Driving hours by herself, living out of the car for weeks at a time, and playing for strangers in each new town, she is fed by the thrill of exploring new places, meeting other artists, and the blessing of having audiences applaud her everywhere she performs. The diversity of the venues she has played keeps road life interesting. Some nights bring her to legendary listening rooms like Club Passim, The Bitter End, The Bluebird Café and Eddie's Attic, while other nights Abi might be seen in crowded living rooms, libraries, a gazebo on a sprawling Texas ranch, or at a bicycle race finish line. Her songwriter's sensibility allows her to appreciate details and subtle differences of each place she visits, so for Abi, even the shortest trip offers potential adventure and inspiration. Tapia's 2005 release, One Foot Out The Door, is a driving collection of songs about loving and leaving that is garnering rave reviews and comparisons to Austin's best songwriters. The creation of this music was like a year-long road trip with Abi (vocals, guitar and harmonica) driving and Chris Gage (producer, engineer, guitars, keys and vocals) sitting shotgun with the maps. They picked up a few hitchhikers along the way including musicians who have contributed to albums from the Dixie Chicks, Eliza Gilkyson, The Greencards and countless others. With song titles like "Somewhere to Go" and "Nothing to Hold Me Down", you can bet that this disc will take Abi Tapia to lots more cities and car stereos, and lot more people will be asking questions that can be answered with the word "Wanderlusty." In high school, Vicky Emerson's basketball coach gave each team member a flyer and suggested they put it up in their locker. It said, "The harder you work, the luckier you get." Vicky still has that flyer and as an acclaimed independent female artist, her career is a stellar example of what one can accomplish with talent, hard work, determination and the strength to believe in yourself. Vicky's second vocal album, a self-titled release, was recorded at Fur Seal Studios in Minneapolis with her incredibly talented All Man Band which includes Dean Magraw, Gordy Johnson, Daniel Marcus and Steve Goold. With steel guitar added by Lloyd Maines (Dixie Chicks, Terri Hendrix) from Austin, Texas, this album is a sophisticated blending of folk, blues and country that shines true Americana music while also opening a window into Vicky's life. Why the self-titled release? "I feel I have truly lived every song on this album," admits Vicky. "I've come a long way since my days when I sat quietly behind the piano. I picked up the guitar three years ago and learning that instrument has forced me to sing out and become a better vocalist and performer. So, when we recorded this album, I felt very comfortable and confident in the studio. We only had four days to record this album. That meant it was imperative my vision was accessible to the other guys in the band. The first day we recorded eight songs as a group so I feel that we were able to achieve that goal while also capturing the spontaneous energy we generate when we play live." Emerson, who grew up on a pig farm in the small village of Elmwood, Wisconsin (self-proclaimed UFO Capital of the World) now lives in New York City. Not surprisingly, half the songs for this album were penned during her first four months living in Manhattan. "This city is certainly on the cutting edge of new music, fashion and technology; however, there is a strong sense of history here, too. One of the first shows I attended was to listen to Les Paul play at the Iridium. As I watched him play the instrument he invented that has had such a monumental impact on music and listened to him play familiar melodies as the audience quietly sang along, I was completely awe-struck. I knew in that moment the kind of record I wanted to make: A record that incorporated the music I love to listen to-- beautiful melodies intertwined with lyrics that reach out to the listener with honesty and sincerity." Emerson certainly hits her mark on this album. "Wheat Fields is based on a nightmare I had last winter, I Miss You (More than I Usually Do) was written during the long-distance courtship with my fianc�Days I Have Left is about my grandmother, Over and Over is a vision of my future had I not left an abusive relationship and Mauna Loa Lane is for my friends who are embarrassed that they met on the Internet; so, I gave them a new story. I wrote Daisy after reading the Great Gatsby and I was completely enamored with Jay's obsession for this woman. Dean and I came up with the arrangement for Amazing Grace in about ten minutes and performed the song only once. It was one of those magical takes where we played facing each other and we knew we were 'in the moment.' You can even hear his chair squeaking, but we didn't even bother recording it again because we both agreed it is impossible to re-create a moment like that." Co-produced with Matthew Freed (Cloud Cult), this record is a testament to Emerson's talents as a vocalist and songwriter. "Matthew and I agreed that the difference in this record compared to my others is the gem would be my voice and lyrics—not my piano playing." Emerson began piano lessons at age six and continued her musical education at the University of Wisconsin at River Falls. "I never sang my music in front of an audience until just a handful of years ago. I was always the accompanist for the singer—never the singer." That scenario has completely changed for Emerson. While she had previously been known for her virtuosic piano skills, now people come out to hear her sing and tell her hilarious stories. "My favorite performers are the ones who can engage the audience on all different levels during a performance and using humor is a great vehicle to bridge the two together in between songs." Over the past few years, fans and music critics alike have taken notice of Emerson's unique musical style. The Minneapolis Star Tribune dubbed her "a Lilith Fair-style folkie" while the Milwaukee Journal Sentinel called Emerson a "piano-playing Terri Hendrix". Comparisons have also range from Cowboy Junkies to Eva Cassidy, but the most accurate vocal likeness is to a legendary blues singer. Producer, Matthew Freed, agreed by saying, "Vicky's voice has a body and character which is rare and I believe it to be reminiscent of Miss Peggy Lee", who was also raised in the Midwest. Perhaps growing up on a pig farm in a rural community was the best training Vicky could have had to learn the discipline required to pursue a career in music. Vicky laughs, "I grew up in a place where the closest city was an hour away and my home town celebrated alien sightings. I could not make this stuff up if I tried! For many artists, including myself, you can spend so much time trying to please people who tell you to write a certain way or look a certain way that you spend time chasing your tail instead of writing music. I moved to New York City and something clicked inside me. I decided to embrace my past--the good and the bad. Instead of shying away from it, I began drawing upon my experiences to write from a very honest place. It may have taken me awhile to get to this point, but I've never felt more comfortable in my own skin than right now and I believe you can hear that on this new record." Vicky hits the road this year to promote the album with over 200 shows from coast to coast. Will she bring a four-leaf clover for luck? "Nope," says Vicky, "Who needs a four leaf clover when I already feel pretty darn lucky to be able to play music for my living! Is it hard work? Oh yes, it surely is and there are days when I get crazy frustrated. However, that is the point where you know you are making progress because even though it feels like you're being tested, you're actually learning and growing as an artist. It's a beautiful thing." When: May 17, 2008 8:00:00 PM Where: Anderson Fair in Houston,Texas Posted by:evdb |
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Blue Rodeo w/ Luke Doucet
The day before Blue Rodeo released their 11th studio album, Small Miracles, the band loaded themselves up in a van and did something they had never done before. For ten hours that day, one of Canada's most popular bands played on street corners all around the downtown core, shocking fans and stopping local traffic. For a band that has become woven into the fabric of Canadian life, it just seemed to make sense to step down off the stage and serenade the public on its way to work. Commuters were caught off guard as they got off their morning trains and hockey fans were thrilled to run into the band outside a Toronto Maple Leaf pre-season game. But perhaps the most appreciative audience were the patients at Princess Margaret Hospital. Patients and staff jammed the hospital's foyer to enjoy the band's five song performance. Of all of the impromptu performances, this was the one that had the most meaning to the band members. "The nurse who looked after my dad when he was in intensive care up in North York was there too, and so that was pretty sweet," said Greg Keelor afterwards. By today's standards, it can be called a small miracle if a band stays together for five years and records two albums, but what would you call it when a band has been recording best selling albums for twenty years? Though it was no intended that way, it seems most appropriate that Blue Rodeo called their new album Small Miracles. The thirteen track album, once again features the storied songwriting talents of Jim Cuddy and Greg Keelor. Recorded throughout the Spring of 2007, Small Miracles was produced by Blue Rodeo and Chris Shreenan-Dyck. The album's first single is the rollicking "C'mon", for which a video has been shot and directed by longtime collaborator Chris Mills (Modest Mouse, The Tragically Hip, Broken Social Scene). Inspired by "Paddle To The Sea," the video chronicles the journey of a song from its creation to recording to the public and, ultimately, to the concert stage. Since the release of their debut album, Outskirts, in March 1987, Blue Rodeo has established themselves as one of the premier bands in Canada with Jim Cuddy and Greg Keelor ranking among the best songwriters in the country's history. Over the course of their stellar career Blue Rodeo has has been nominated for an astounding 24 Juno Awards, taking home 8 of the prizes - 4 of which acknowledged the band as Group Of The Year. They have released 11 studio albums, one live album, a Greatest Hits collection and an award winning DVD, selling in excess of 4 million copies around the world. They have the chops to warrant the attention and high expectations they've sparked since their debut... When Rodeo hits the mark with the likes of "Summer Girls" they're first class. - Harp â€" February 2008 Luke Doucet Only subterranean routes will get you to certain places. Broken (and other rogue states) is the hand-held camera of country music. In Broken we hear none of the predictable twists and turns, nor are we sedated with needless repetition. Instead we experience the visceral unfolding of melody and backlit refrains, every song channeling the most electric moments of a day. Broken (and other rogue states) is the dawn of country verité. Throughout his most accomplished work to date, Broken (and other rogue states), Luke Doucet masterfully effects wonder in the familiar and familiarizes the foreign. Coming together with his band like a zipper closing, he features just as many artists as there are teeth in a Levi's fly. With three Veal albums under his belt (Hot Loser, 1996; Tilt O'Whirl, 1999; Embattled Hearts, 2003), a smash solo debut (Aloha, Manitoba, 2001), a live album (Outlaws, 2004), and an armful of notable producer credits including two albums each by NQ Arbuckle and Melissa McLelland, Luke Doucet indelibly brings his sensibilities to all projects as a visionary and the pioneer of a new movement in music. Spearheading a modern genre, country verité is Luke's rogue angel. Falling from tradition he walks in time, on earth, from the heart in technicolour. Broken (and other rogue states) is Luke Doucet's most revolutionary work yet. It is the beginning of a new era for artists and fans everywhere. When: May 18, 2008 7:00:00 PM Where: Aladdin Theatre in Portland,Oregon Cost: Ticket Price: $18.50 adv / $20.00 dos Posted by:evdb |
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BLUE RODEO w/special guest LUKE DOUCET
Location: Mainstage Genre: Alt Country Rock, Heartland Rock For more, visit www.lukedoucet.com
When: May 19, 2008 7:00:00 PM Where: The Triple Door Musicquarium in Seattle,Washington Cost: $25 adv / $30 day of Posted by:evdb |
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ReBirth Brass Band @ Maple Leaf Bar
Simply put, The ReBirth Brass Band is an institution. Formed in 1983, the band has long since graduated from the streets of New Orleans to theaters and festivals all over the world. ReBirth is committed to upholding the tradition of brass bands while at the same time incorporating modern music into their show. Their signature brand of heavy funk has placed them among the world's top brass bands and they are the hands-down favorite among the younger generation. In reference to the sometimes stringent competition amongst brass bands, Offbeat magazine remarked, "…it's clear that ReBirth, which boasts 10 albums and has traveled the world, is the band to beat." Email: contact@rebirthbrassband.com When: May 20, 2008 10:00:00 PM Where: Maple Leaf in New Orleans,Louisiana Posted by:evdb |
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The Trio Featuring Johnny Vidacovich, George Porter, Jr. and Guests @ Maple Leaf Bar
In his very personal approach to percussion, master drummer Johnny Vidacovich combines elements of New Orleans' traditional rhythms with free techniques and mainstream sensibilities. He is at once a brilliant soloist and a highly sensitive accompanist with the ability to detect and quickly enhance even the subtlest change of direction. His command of dynamics, distinctive melodic conceptions and effervescent swing has brought him international recognition as The Quintessential New Orleans drummer. His unique style and conviction has led to performances with jazz masters Joe Henderson, Donald Byrd, Kenny Barron and Eddie Harris, in addition to performances with modern jam masters Karl Denson, Skeric Walton, G Love, Chris Wood, Luther Dickinson and Stanton Moore. His recording history includes James Booker, Professor Longhair, Mose Allison, John Scofield and Ray Anderson. Johnny's albums as a leader include "Banks Street" and "Mystery Street" (Chebasco), "Vidacovich" (PawMaw), and the new "We Came to Play" (Trio). Johnny Vidacovich has been a key player in the New Orleans music scene and the international jazz community for over three decades. He has influenced countless players prevalent in today's jazz, funk and jam band scene. Please see www.johnnyvidacovich.com for more information. Picture: 2004 copyright by Susan J. Weiand When: May 22, 2008 10:00:00 PM Where: Maple Leaf in New Orleans,Louisiana Posted by:evdb |
In The Blogosphere
| Google Blog Search: album leaf |
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Albums by artist The Album Leaf And On!air!library!
Lifetime or More (Split Ep) Genre: Rock Year: 2003. |
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May 15th, 2008 - Comment Please!
For Fans Of: the avalaches, the go! team Artist/Album: her space holiday - the young machines remixed Genre: indie pop, electronic For Fans Of: the american analog set, the album leaf, the postal service Artist/Album: jim o'rourke ... |
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The Album Leaf - Always For You
The Album Leaf - Always For You. |
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The Double-Edged Sword of Illegal Downloading
People who are so desperate to find new music that they will sample bands and albums recommended to them by turning to their PCs and downloading the CD - just as I did with The Album Leaf, The Fray, Laurent Garnier, and UNKLE. ... |
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The Album Leaf
I found out about The Album Leaf through The OC, when it was included in the OST for the show. It was not too long until I had acquired two complete albums. Having an initial solo startup by Jimmy LaValle is quite amazing. ... |
