Neighborhood Watch
Table of contents
This page was modified over a year ago by bobfather
[MISSING: tagline]
Table of contents
- 1. Biography
- 2. Members
- 3. Former Members
- 4. Discography
- 4.1. Compilations
- 5. Upcoming Events
- 6. External Links
| Neighborhood Watch is a crossover thrash metal and punk band from Palms, Los Angeles, California who defined the "Venice Scene" in the '80's with bands like Suicidal Tendencies, Beowülf, No Mercy and Excel, who all played a mix of skate punk, hardcore, heavy metal and thrash. Not to be confused with the San Diego punk band and the Canadian punk band of the same name. |  |
Biography
Neighborhood Watch started in 1981 and were friends of Suicidal Tendencies, with which they played many shows, and part of the "Suicidal Scene" which was strong in Venice in the beginning of the '80's.
The first line-up of the band featured Chris Howly-Bra (real name: Chris Howell) on vocals, Mike Jensen on guitar, John Flitcraft on bass and Dave Hutchinson on drums. Jensen soon quit to join Black Sheep and, after that, Beowülf, so he got replaced by Mark Conway.
Managed by future Suicidal Tendencies guitar player Jon Nelson, the band signed on Deeder Deets Records and released their self-titled LP in 1983, which Nelson produced.
During that time, Flitcraft and Hutchinson lived in an old house with Mike Muir of Suicidal Tendencies, who wished to include Neighborhood Watch on the Welcome to Venice compilation he was about to release in 1985 on his own Suicidal Records. However, Flitcraft and Hutchinson had a falling out with Muir about the rent and were never included on the comp.
The band split in the mid 1980s but re-united in 1992 for an infamous reunion gig at the Anti Club. They reformed in 2006 with all original members, except Flitcraft who now plays jazz-fusion in the band Altered. Brian Fortenberry, (former Bass player for Dry Entry ,Guardian and Stran 999) now takes care of the bass duties.
The band recorded two new songs for the Welcome 2 Venice compilation, due to be released in 2007 and two of their old tracks, "Creation" and "Riot, were also featured on the Farewell to Venice compilation, released in 2006 on CD by BDF RECORDS and on vinyl by WWW.PUNKRECORDS.COM.
Members
- Chris Howly-Bra - vocals
- Mark Conway - guitar
- Brian Fortenberry - bass
- Dave Hutchinson - drums
Upcoming Events
| Eventful results for "Neighborhood Watch" |
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The Gift of the Magi by Robert Ruffin
Phone1: (866) 430-1630 VPT Toll Free Phone2: (800) HIS-TORY Kimball Box Office Toll Free Email: info@vptheatre.com Opens: 7:30:00 PM Closes: 9:00:00 PM Admission Fee Children Welcome Virginia Premiere Theatre presents The Gift of the Magi. Set in New York City and Charlottesville, Virginia in the early 1900’s, The Gift of the Magi is a holiday treat for the entire family. Jim and Della are poor and desperate. The rent is coming due and Christmas is on its way. It’s up to a watch and a set of combs to make a miracle and remind them that love is what makes the world go round. Back by popular demand, this first-ever, full-length adaptation of O. Henry’s classic tale is a delight for holiday audiences. “…heartbreaking poignancy…very entertaining.” –Portfolio Weekly “…a dramatic duet of tender romance.” –Hampton Roads Magazine Plays at the Kimball Theatre, Williamsburg and the Yoder Barn Theatre, Newport News. For specific times, dates and locations or to purchase tickets: www.vptheatre.com or 1-866-430-1630. When: Nov 21, 2008 7:30:00 PM Where: The Kimball Theatre, Williamsburg in Williamsburg,Virginia Posted by:evdb |
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Domy Books Wednesday MOVIE NIGHTS
Times: 8:30pm-10:30pm Description: Domy Books, in association with MOVIES! The Store, is pleased to present, Wednesday MOVIE NIGHTS. Curated by Movies! The Store. Wednesdays at Domy Books 830 - 1030pm, FREE ADMISSION September 17 WHO KILLED THE ELECTRIC CAR? It begins with a solemn funeral…for a car. By the end of Chris Paine's lively and informative documentary, the idea doesn't seem quite so strange. As narrator Martin Sheen notes, "They were quiet and fast, produced no exhaust and ran without gasoline." Paine proceeds to show how this unique vehicle came into being and why General Motors ended up reclaiming its once-prized creation less than a decade later. He begins 100 years ago with the original electric car. By the 1920s, the internal-combustion engine had rendered it obsolete. By the 1980s, however, car companies started exploring alternative energy sources, like solar power. This, in turn, led to the late, great battery-powered EV1. Throughout, Paine deftly translates hard science and complex politics, such as California's Zero-Emission Vehicle Mandate, into lay person's terms (director Alex Gibney, Oscar-nominated for Enron: The Smartest Guys in the Room, served as consulting producer). And everyone gets the chance to have their say: engineers, politicians, protesters, and petroleum spokespeople--even celebrity drivers, like Peter Horton, Alexandra Paul, and a wild man beard-sporting Mel Gibson. But the most persuasive participant is former Saturn employee Chelsea Sexton. Promoting the benefits of the EV1 was more than a job to her, and she continues to lobby for more environmentally friendly options. Sexton provides the small ray of hope Paine's film so desperately needs. Who Killed the Electric Car? is, otherwise, a tremendously sobering experience. 2006, 830-1030pm, free admission RUNTIME: 93min September 24 PARIS, JE T'AIME In PARIS, JE T'AIME, celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas, have come together to portray Paris in a way never before imagined. Made by a team of contributors as cosmopolitan as the city itself, this portrait of the city is as diverse as its creators' backgrounds and nationalities. With each director telling the story of an unusual encounter in oe of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen. Racial tensions stand next to paranoid visions of the city seen from the perspective of an American tourist. A young foreign worker moves from her own domestic situation into her employer's bourgeois environs. An American starlet finds escape as she is shooting a movie. A man is torn between his wife and his lover. A young man working in a print shop sees and desires another young man. A father grapples with his complex relationship with his daughter. A couple tries to add spice to their sex life. These are but a few of the witty and serendipitous narratives that make up PARIS, JE T'AIME. 2006, 830-1030pm, free admission RUNTIME: 110min October 1 Galaxy Quest (pictured) You don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes always stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who threatens to destroy their home planet. Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff Shannon 1999, 830-1030pm, free admission RUNTIME: 102min October 8 Hocus Pocus This big, fat theatrical bomb has a lot going for it. There's the three leads, Bette Midler, Kathy Najimy, and Sarah Jessica Parker, playing three resurrected witches who wreak havoc on Salem, Massachusetts, 300 hundred years after they were hung. There's music, special effects, and magic. There's a surprisingly horror-filled plot. Whoops, hold up on that last one. It's probably the extremes that this film goes to (displaying a Disney label), such as the witches sucking the life out of a little girl in the first five minutes, that put the brakes on any success for Hocus Pocus. Older children, however, in the 8 and up range should get a kick out of all the weird goings-on. It's a good measure of Halloween thrills and chills. --Keith Simanton 1993, 830-1030pm, free admission RUNTIME: 96min October 15 Dumb and Dumber Delivering exactly what its title promises, this celebration of stupidity was Jim Carrey's 1994 follow-up to Ace Ventura: Pet Detective and The Mask . The film pairs the rubber- faced wacky man with Jeff Daniels as the not-so-dynamic duo of Lloyd and Harry, dunderheads who come into the possession of a briefcase containing ransom money that is intended for Mob-connected kidnappers. Lauren Holly costars as the woman who lost the briefcase, and with whom Carrey falls in love (both in real life and as his moronic on-screen character). As Lloyd and Harry make a mad dash to return the briefcase (never aware of its contents), the bumbling buddies attract Mobsters, cops, and trouble galore. This lowbrow laugh-a-thon scores some solid hits for hilarity, but with gags involving ill-fated parakeets, buxom bimbos, and an overdose of laxatives, be prepared to put your brain--and good taste--on hold. --Jeff Shannon 1994, 830-1030pm, free admission RUNTIME: 106min October 22 Batman Returns The first Batman sequel takes a wicked turn with the villainous exploits of the freakish and mean-spirited Penguin (Danny DeVito), whose criminal collaboration with evil tycoon Max Shreck (Christopher Walken) threatens to drain Gotham City of its energy supply. As if that weren't enough, Batman (Michael Keaton) has his hands full with the vengeful Catwoman (Michelle Pfeiffer), who turns out to be a lot more dangerous than a kitten with a whip. As with the first Batman feature, director Tim Burton brings his distinct visual style to the frantic action, but this time there's a darker malevolence lurking beneath all that extraordinary production design. --Jeff Shannon 1992, 830-1030pm, free admission RUNTIME: 125min October 29 Return to Oz You don't fool with Mother Nature, spit into the wind, remake Casablanca, or trash the land of Oz. Perhaps that is why the 1985 live-action sequel split critics and audiences alike. The 1939 classic musical is so beloved that it's almost impossible to imagine seeing Dorothy in shock therapy, a crumbled yellow brick road, the ruins of Emerald City, and the Tin Man turned into stone. But L. Frank Baum, the author of the original Oz books, portrayed just that with his continuing stories of Dorothy. When you get by these tough facts, the film version is solid entertainment for the over-7 set. Dorothy (a 10-year-old Fairuza Balk in her debut) is back in Kansas, where Aunt Em (Piper Laurie) is at the end of her rope: her niece is not sleeping and going on about a place called Oz. Therapy may be the answer, but luckily the scary clinic goes dark before Dorothy can be, er, cured (but the lead-up will scare the munchkins out of most kids). She wakes up in the land of Oz, now in tatters, and searches for its king, the Scarecrow. A new set of friends, including a tin soldier, a talking chicken, and a pumpkin man, help her against new villains, including Princess Mombi (Jean Marsh)--complete with a set of detachable heads--and the evil Nome King (Nicol Williamson with a great assist from Will Vinton's Claymation). The sole directorial effort of Oscar-winning editor Walter Murch is stuffed with marvelous effects that foreshadow later works by Tim Burton and the Henson non-Muppet films. --Doug Thomas 1985, 830-1030pm, free admission RUNTIME: 110min November 5 No End in Sight A staggering portrait of arrogance and incompetence, the documentary No End in Sight avoids the question of why the U.S. invaded Iraq in 2003, choosing instead to focus on the war's aftermath--and meticulously examine the chain of decisions that led Iraq into a grotesque state of lawlessness and civil war. Drawing from interviews with top generals, administration officials, journalists, and soldiers who were in the thick of the war itself, No End in Sight lays out a gripping story, as suspenseful as any Hollywood movie, accompanied by terrifying footage of firefights and explosions more vivid than any special effects. Unfortunately, there is no happy ending. If the documentary has a weakness, it's the shortage of voices trying to defend the administration policies (perhaps unsurprisingly, policymakers like Dick Cheney, Donald Rumsfeld, and Paul Wolfowitz declined to be interviewed). But the testimony (presented by administration insiders and officials in Iraq, both military and civilian) argues that, despite contrary analysis and experienced advice against its actions, the top brass of the Bush administration made decisions (that aggravated already existing problems and created devastating new ones. No End in Sight builds its case one voice at a time and avoids the grandstanding that undercuts Michael Moore's work; instead, the gradual accumulation of simple facts--presented with weary resignation, earnest outrage, and restrained anger--results in a compelling condemnation of one of the worst blunders the U.S. has ever made. --Bret Fetzer 2007, 830-1030pm, free admission RUNTIME: 102min November 12 The Nines Worlds collide in most unusual ways in The Nines, marking the feature directorial debut of John August, screenwriter of such offbeat wonders as Big Fish, Corpse Bride, and Titan A.E.. Ryan Reynolds plays Gary, a Hollywood television actor whose crack cocaine escapades land him under house arrest. A no-nonsense publicist (Melissa McCarthy) who specializes in rehabilitating bad-boy stars for public consumption keeps Gary in line until a sexy neighbor (Hope Davis) makes him wonder if his reality is truly all it seems to be. Indeed, once the question is asked, another world washes away the last one: this time Reynolds plays Gavin, a TV showrunner whose best friend (McCarthy) is dropped from his new series after a network executive (Davis) manipulates him. A watchful viewer of The Nines will begin to note that certain themes and bits of dialogue overlap the first two segments of the film, and that certain key lines (e.g., "You're not a man") are laced with double meanings. A haunting resonance, a sense that everything is imbued with some unknown quality or secret, overtakes one's deepest experience of the movie. That feeling only grows in the final third of the story, in which Reynolds becomes Gabriel, a doting husband and father who leaves his wife (McCarthy) and child (Elle Fanning) with their stalled family car while he fetches help. Along the way he meets a wary stranger (Davis), and nothing is the same again. Everything loops into everything else in August's clever story, which taps into that profound sense of alienation and dislocation most of us feel at one time or another, and pushes it toward the realm of myth. Fans of Donnie Darko may well find The Nines equally intriguing. --Tom Keogh 2008, 830-1030pm, free admission RUNTIME: 99min November 19 District B-13 For eye-popping kinetic thrills, District B13 tops the class. In the near future, the worst ghettos of Paris have been walled in and left to rot. When a neutron bomb gets stolen by a criminal kingpin in seedy District B13, Damien--a cop who specializes in deep cover assignments (Cyril Raffaelli, a stuntman turned actor)--has to team up with Leito (David Belle), who grew up in the district and has his own reason for going back: the kingpin kidnapped his sister (tough yet adorable gamine Dany Verissimo). The plot takes a few preposterous turns, but it's beside the point--every turn serves only to maintain the relentless flow of sheer physical prowess. Belle is one of the inventors of a sport called parkour, which treats a city's architecture like an obstacle course; while running from gun-toting thugs, Leito leaps, bounds, and scrambles up and down buildings with astonishing grace. The fight sequences are just as down-to-earth yet over-the-top as Damien whirls, kicks, and crunches through armies of bad guys. Just as important is the tongue-in-cheek tone that never turns smirky; the movie doesn't take itself seriously, but doesn't mock itself or its basic cinematic pleasures. Anyone looking for a break from the overbearing CGI and self-important pomp of Hollywood action movies should watch District B13. --Bret Fetzer 2004, 830-1030pm, free admission RUNTIME: 84min November 26 South Park: Bigger, Longer and Uncut OK, let's get all the disclaimers out of the way first. Despite its colorful (if crude) animation, South Park: Bigger, Longer & Uncut is in no way meant for kids. It is chock full of profanity that might even make Quentin Tarantino blanch and has blasphemous references to God, Satan, Saddam Hussein (who's sleeping with Satan, literally), and Canada. It's rife with scatological humor, suggestive sexual situations, political incorrectness, and gleeful, rampant vulgarity. And it's probably one of the most brilliant satires ever made. The plot: flatulent Canadian gross meisters Terrance and Philip hit the big screen, and the South Park quartet of third graders--Stan, Kyle, Kenny, and Cartman--begin repeating their profane one-liners ad infinitum. The parents of South Park, led by Kyle's overbearing mom, form "Mothers Against Canada," blaming their neighbors to the north for their children's corruption and taking Terrance and Philip as war prisoners. It's up to the kids then to rescue their heroes from execution, not mention a brooding Satan, who's planning to take over the world. To give away any more of the plot would destroy the fun, but this feature-length version of Trey Parker and Matt Stone's Comedy Central hit is a dead-on and hilarious send-up of pop culture. And did we mention it's a musical ? From the opening production number "Mountain Town" to the cheerful antiprofanity sing-along "It's Easy, MMMKay" to Satan's faux-Disney ballad "Up There," Parker (who wrote or cowrote all the songs) brilliantly shoots down every earnest musical from Beauty and the Beast to Les Misérables. And in advocating free speech and satirizing well-meaning but misguided parental censorship groups (with a special nod to the MPAA), Bigger, Longer & Uncut hits home against adult paranoia and hypocrisy with a vengeance. And the jokes, while indeed vulgar and gross, are hysterical; we can't repeat them here, especially the lyrics to Terrance and Philip's hit song, but you'll be rolling on the floor. Don't worry, though--to paraphrase Cartman, this movie won't warp your fragile little mind. Unless you have something against the First Amendment. --Mark Englehart 1999, 830-1030pm, free admission RUNTIME: 81min When: Sep 17, 2008 12:00:00 AM to Nov 26, 2008 12:00:00 AM Where: Domy Books in Houston,Texas Posted by:evdb |
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Walking Event: 11km
Host Club: Ponderosa Pathfinders Distance and Trail Rating: 11km 2 Start Point Address / Driving Directions: Mt View Hospital, 470 NE A St, Madras. From Hwy 26/97 in Madras, turn East on SE B St - go 0.4 mi ,turn left on NE 12th St - go 0.1 mi ,turn right on NE A St - go 0.1 mi. to the hospital. Watch for the blue H signs. Event Description: Daylight hours. Walk on paved walk ways through parks and neighborhoods and spectacular mountain views. The route goes past the Jefferson County Courthouse. Start Times: walk daylight hours Contact: Sharon Shockley , (503 ) 349 - 3781 Event Website: E-Mail Contact: shockleysh@hotmail.com Awards and Fees: IVV Credit Only Comments: Amenities: Strollers: None Wheelchairs: None Pets: Yes Restrooms: Yes When: Apr 1, 2008 12:00:00 AM to Dec 31, 2008 12:00:00 AM Where: West Linn, Oregon, United States in West Linn,Oregon Posted by:evdb |
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LIVE Glassblowing American Fine Art Editions, Inc.
LIVE Glassblowing American Fine Art Editions, Inc. November 8, 2008 - October 23, 2009 9AM - 9PM Ongoing. Location: 3908 N. Scottsdale Rd, Scottsdale, AZ 85251 Phone: (480) 990-1200 Admission: Free Experience the art of glassblowing LIVE as the master glassblower transforms the molten glass into phenomenal works of art. With the speed of a top professional athlete, the precision of a skilled surgeon, and the grace and flair of Fred Astaire Crosbie delights spectators as he shapes the 2000º plus glass while adding color and exacting form. Glassblowing is an amazing medium requiring intense speed and quick thinking by the master, which makes it even more magical and entrancing for the audience to watch. The art of glass blowing is unlike any other media. Contact the gallery for future dates and times for LIVE glassblowing demonstrations at (480) 990-1200 or (800) 466-8276. Ongoing event When: Nov 8, 2008 12:00:00 AM to Oct 23, 2009 12:00:00 AM Where: Phoenix, Arizona, United States in Phoenix,Arizona Cost: Free Posted by:evdb |
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David letterman has a positive attitude and insight
This is definitely food for thought and worth reading..... Subject: Fwd: Hoorah For David Letterman Begin forwarded message: From: Subject: FW: Hoorah For David Letterman No matter what your political convictions are this is an eye opener....What a thankless people we are!!! David Letterman, on President Bush. (Surprising) David Letterman wrote this; it's the David we don't often see.... 'As most of you know I am not a President Bush fan, nor have I ever been, but this is not about Bush, it is about us, as Americans, and it seems to hit the mark.' 'The other day I was reading Newsweek magazine and came across some Poll data I found rather hard to believe. It must be true given the source, right? The Newsweek poll alleges that 67 percent of Americans are unhappy with the direction the country is headed and 69 percent of the country is unha ppy with the performance of the President. In essence 2/3 of the citizenry just ain't happy and want a change. So being the knuckle dragger I am, I started thinking, 'What are we so unhappy about?' A. Is it that we have electricity and running water 24 hours a day, 7 Days a week? B. Is our unhappiness the result of having air conditioning in the summer and heating in the winter? C. Could it be that 95.4 percent of these unhappy folks have a job? D. Maybe it is the ability to walk into a grocery store at any time and see more food in moments than Darfur has seen in the last year? E. Maybe it is the ability to drive our cars and trucks from the Pacific Ocean to the Atlantic Ocean without having to present identification papers as we move through each state. F. Or possibly the hundreds of clean and safe motels we would find along the way that can provide temporary shelter? G. I guess having thousands of restaurants with varying cuisine from around the world is just not good enough either. H. Or could it be that when we wreck our car, emergency workers show up and provide services to help all and even send a helicopter to take you to the hospital. I. Perhaps you are one of the 70 percent of Americans who own a home. J. You may be upset with knowing that in the unfortunate case of a fire, a group of trained firefighters will appear in moments and use top notch equipment to extinguish the flames thus saving you, your family, and your belongings. K. Or if, while at home watching one of your many flat screen TVs, a burglar or prowler intrudes, an officer equipped with a gun and a bullet-proof vest will come to defend you and your family against attack or loss. L. This all in the backdrop of a neighborhood free of bombs or militias raping and pillaging the residents. Neighborhood s where 90% of teenagers own cell phones and computers. M. How about the complete religious, social and political freedoms we enjoy that are the envy of everyone in the world? Maybe that is what has 67% of you folks unhappy. Fact is, we are the largest group of ungrateful, spoiled brats the world has ever seen. No wonder the world loves the U.S. , yet has a great disdain for its citizens. They see us for what we are. The most blessed people in the world who do nothing but complain about what we don't have, and what we hate about the country instead of thanking the good Lord we live here. I know, I know. What about the president who took us into war and has no plan to get us out? The president who has a measly 31 percent approval rating? Is this the same president who guided the nation in the dark days after 9/11? The president that cut taxes to bring an economy out of recession? Could this be the same guy who has been called every name in the book for succeeding in keeping all the spoiled ungrateful brats safe from terrorist attacks? The commander in chief of an all-volunteer army that is out there defending you and me? Did you hear how bad the President is on the news or talk show? Did this news affect you so much, make you so unhappy you couldn't take a look around for yourself and see all the good things and be glad? Think about it......are you upset at the President because he actually caused you personal pain OR is it because the 'Media' told you he was failing to kiss your sorry ungrateful behind every day. Make no mistake about it. The troops in Iraq and Afghanistan have volunteered to serve, and in many cases may have died for your freedom. There is currently no draft in this country. They didn't have to go. They are able to refuse to go and end up with either a ''general'' discharge, an 'other than honorable'' discharge or, worst case scenario, a ''dishonorable' discharge after a few days in the brig. So why then the flat-out discontentment in the minds of 69 percent of Americans? Say what you want, but I blame it on the media. If it bleeds it leads and they specialize in bad news. Everybody will watch a car crash with blood and guts. How many will watch kids selling lemonade at the corner? The media knows this and media outlets are for-profit corporations. They offer what sells, and when criticized, try to defend their actions by 'justifying' them in one way or another. Just ask why they tried to allow a murderer like O.J. Simpson to write a book about how he didn't kill his wife, but if he did he would have done it this way......Insane! Turn off the TV, burn Newsweek< /FONT>, and use the New York Times for the bottom of your bird cage. Then start being grateful for all we have as a country. There is exponentially more good than bad. We are among the most blessed people on Earth and should thank God several times a day, or at least be thankful and appreciative.' 'With hurricanes, tornadoes, fires out of control, mud slides, flooding, severe thunderstorms tearing up the country from one end to another, and with the threat of bird flu and terrorist attacks, 'Are we sure this is a good time to take God out of the Pledge of Allegiance?' -David Letterman Please keep this in circulation. There are so many people who nee d to read this and grasp the truth of it all. When: Nov 4, 2008 5:00:00 PM to Nov 6, 2012 8:00:00 PM Posted by:Nextcat |
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